Dre and Eve would reunite once again on Eve-OLution, the Ruff Ryders’ rapper’s third studio album. “That’s What It Is” also gains additional credibility for being the lone collaboration between The Lox and Dre, and while it’s not a full collaboration, it’s a welcome crossover all the same. “Heads boppin’ never fails once the Doc’s around,” raps Eve, as the piano arpeggio ascends and descends. Scorpion housed the aforementioned “Let Me Blow Ya Mind,” as well as the Styles P-assisted “That’s What It Is.” A darker counterpart to the Gwen Stefani duet, Eve and Pinero’s deep cut finds the Ruff Ryders navigating a simple yet hard-hitting instrumental, imbued with the Doc’s signature menace by way of a melancholic synth-string. In an interview with Live Nation, Eve likened their collaborative process to shadowboxing, recognizing that Dre’s studio methods ultimately led her to pen some of “the best records of her life.”Īlas, the pair’s partnership only managed to yield a handful of tracks. A notorious perfectionist, Dre would accept nothing less than his vision exactly as intended, sometimes leading to Stanley Kubrick-esque repetitions of single lines. One that many emcees have openly reflected on with equal parts fondness and frustration - the art of crafting a song with Dre. Eve proved more than up to the task of blessing the instrumental, though doing so would once again find her facing an interesting challenge. His bag of tricks does eventually open once more as the bassline slinks in, another telltale sign. For one, it wasn’t dark or menacing in the slightest, but rather sensual, classy, and assertive. Coming off the release of both his own 2001 and Eminem’s Marshall Mathers LP, his first Eve beat felt like a departure from his traditional sound. The first happens to be one of Eve’s biggest hits to date, the Gwen Stefani-assisted “Let Me Blow Ya Mind.” Dre’s drums are the first giveaway, as they often are: clean, massive, and never doing too much. Dre and Scott Storch, who was actually introduced to Dre by Eve during her Aftermath tenure. Of Scorpion’s sixteen tracks, two instrumentals were laced by the tandem of Dr. When the time came for Eve to deliver her sophomore album, Dre returned to the fold once more. With that in mind, Eve wasn’t entirely removed from the Good Doctor’s vicinity, and it’s likely he kept his eye on his former protege. The same man who happened to be one of Dre’s closest confidantes, and at the time, one of his lone supporters. See, Ruff Ryders was housed on Interscope, run under the watchful eye of Jimmy Iovine. Despite a brief state of depression, it didn’t take long before she was presented with an opportunity: cyphering her way onto the Ruff Ryders roster, a team that would go on to embrace her as the “first lady.” In 1999, she dropped off her debut album Let There Be Eve…Ruff Ryders’ First Lady, produced in its entirety by Swizz Beatz. Before long, she had relocated to Los Angeles to record a demo for Dre, only to find herself dropped eight months later, with only one surviving song from her time with the label - “Eve Of Destruction,” a piano-driven banger off the Bulworth soundtrack. Despite the awkward circumstances surrounding the initial showcase - presumably done without the benefit of weed - Dre’s consigliere was ultimately wooed by Eve’s rhyming ability.
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